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Book report: 1984. human conformity ?

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Does anyone know how to answer this :

How do the people in the book 1984 have Human Conformity:

can u list some examples and parts from the book ! (:

that would be so nice :)

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4 ANSWERS


  1. why dont you read it, lazy? im not doing your homework for you.


  2. The Dangers of Totalitarianism



    1984 is a political novel written with the purpose of warning readers in the West of the dangers of totalitarian government. Having witnessed firsthand the horrific lengths to which totalitarian governments in Spain and Russia would go in order to sustain and increase their power, Orwell designed 1984 to sound the alarm in Western nations still unsure about how to approach the rise of communism. In 1949, the Cold War had not yet escalated, many American intellectuals supported communism, and the state of diplomacy between democratic and communist nations was highly ambiguous. In the American press, the Soviet Union was often portrayed as a great moral experiment. Orwell, however, was deeply disturbed by the widespread cruelties and oppressions he observed in communist countries, and seems to have been particularly concerned by the role of technology in enabling oppressive governments to monitor and control their citizens.



    In 1984, Orwell portrays the perfect totalitarian society, the most extreme realization imaginable of a modern-day government with absolute power. The title of the novel was meant to indicate to its readers in 1949 that the story represented a real possibility for the near future: if totalitarianism were not opposed, the title suggested, some variation of the world described in the novel could become a reality in only thirty-five years. Orwell portrays a state in which government monitors and controls every aspect of human life to the extent that even having a disloyal thought is against the law. As the novel progresses, the timidly rebellious Winston Smith sets out to challenge the limits of the Party's power, only to discover that its ability to control and enslave its subjects dwarfs even his most paranoid conceptions of its reach. As the reader comes to understand through Winston's eyes, The Party uses a number of techniques to control its citizens, each of which is an important theme of its own in the novel. These include:



    Psychological Manipulation



    The Party barrages its subjects with psychological stimuli designed to overwhelm the mind's capacity for independent thought. The giant telescreen in every citizen's room blasts a constant stream of propaganda designed to make the failures and shortcomings of the Party appear to be triumphant successes. The telescreens also monitor behavior—everywhere they go, citizens are continuously reminded, especially by means of the omnipresent signs reading “BIG BROTHER IS WATCHING YOU,” that the authorities are scrutinizing them. The Party undermines family structure by inducting children into an organization called the Junior Spies, which brainwashes and encourages them to spy on their parents and report any instance of disloyalty to the Party. The Party also forces individuals to suppress their sexual desires, treating s*x as merely a procreative duty whose end is the creation of new Party members. The Party then channels people's pent-up frustration and emotion into intense, ferocious displays of hatred against the Party's political enemies. Many of these enemies have been invented by the Party expressly for this purpose.



    Physical Control



    In addition to manipulating their minds, the Party also controls the bodies of its subjects. The Party constantly watches for any sign of disloyalty, to the point that, as Winston observes, even a tiny facial twitch could lead to an arrest. A person's own nervous system becomes his greatest enemy. The Party forces its members to undergo mass morning-exercises called the Physical Jerks, and then to work long, grueling days at government agencies, keeping people in a general state of exhaustion. Anyone who does manage to defy the Party is punished and “reeducated” through systematic and brutal torture. After being subjected to weeks of this intense treatment, Winston himself comes to the conclusion that nothing is more powerful than physical pain—no emotional loyalty or moral conviction can overcome it. By conditioning the minds of their victims with physical torture, the Party is able to control reality, convincing its subjects that 2 + 2 = 5.



    Control of Information and History



    The Party controls every source of information, managing and rewriting the content of all newspapers and histories for its own ends. The Party does not allow individuals to keep records of their past, such as photographs or documents. As a result, memories become fuzzy and unreliable, and citizens become perfectly willing to believe whatever the Party tells them. By controlling the present, the Party is able to manipulate the past. And in controlling the past, the Party can justify all of its actions in the present.



    Technology



    By means of telescreens and hidden microphones across the city, the Party is able to monitor its members almost all of the time. Additionally, the Party employs complicated mechanisms (1984 was written in the era before computers) to exert large-scale control on economic production and sources of information, and fearsome machinery to inflict torture upon those it deems enemies. 1984 reveals that technology, which is generally perceived as working toward moral good, can also facilitate the most diabolical evil.



    Language as Mind Control



    One of Orwell's most important messages in 1984 is that language is of central importance to human thought because it structures and limits the ideas that individuals are capable of formulating and expressing. If control of language were centralized in a political agency, Orwell proposes, such an agency could possibly alter the very structure of language to make it impossible to even conceive of disobedient or rebellious thoughts, because there would be no words with which to think them. This idea manifests itself in the language of Newspeak, which the Party has introduced to replace English. The Party is constantly refining and perfecting Newspeak, with the ultimate goal that no one will be capable of conceptualizing anything that might question the Party's absolute power.



    Interestingly, many of Orwell's ideas about language as a controlling force have been modified by writers and critics seeking to deal with the legacy of colonialism. During colonial times, foreign powers took political and military control of distant regions and, as a part of their occupation, instituted their own language as the language of government and business. Postcolonial writers often analyze or redress the damage done to local populations by the loss of language and the attendant loss of culture and historical connection.



    Motifs



    Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text's major themes.

    Doublethink



    The idea of “doublethink” emerges as an important consequence of the Party's massive campaign of large-scale psychological manipulation. Simply put, doublethink is the ability to hold two contradictory ideas in one's mind at the same time. As the Party's mind-control techniques break down an individual's capacity for independent thought, it becomes possible for that individual to believe anything that the Party tells them, even while possessing information that runs counter to what they are being told. At the Hate Week rally, for instance, the Party shifts its diplomatic allegiance, so the nation it has been at war with suddenly becomes its ally, and its former ally becomes its new enemy. When the Party speaker suddenly changes the nation he refers to as an enemy in the middle of his speech, the crowd accepts his words immediately, and is ashamed to find that it has made the wrong signs for the event. In the same way, people are able to accept the Party ministries' names, though they contradict their functions: the Ministry of Plenty oversees economic shortages, the Ministry of Peace wages war, the Ministry of Truth conducts propaganda and historical revisionism, and the Ministry of Love is the center of the Party's operations of torture and punishment.



    Urban Decay



    Urban decay proves a pervasive motif in 1984. The London that Winston Smith calls home is a dilapidated, rundown city in which buildings are crumbling, conveniences such as elevators never work, and necessities such as electricity and plumbing are extremely unreliable. Though Orwell never discusses the theme openly, it is clear that the shoddy disintegration of London, just like the widespread hunger and poverty of its inhabitants, is due to the Party's mismanagement and incompetence. One of the themes of 1984, inspired by the history of twentieth-century communism, is that totalitarian regimes are viciously effective at enhancing their own power and miserably incompetent at providing for their citizens. The grimy urban decay in London is an important visual reminder of this idea, and offers insight into the Party's priorities through its contrast to the immense technology the Party develops to spy on its citizens.



    Symbols



    Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.

    Big Brother



    Throughout London, Winston sees posters showing a man gazing down over the words “BIG BROTHER IS WATCHING YOU” everywhere he goes. Big Brother is the face of the Party. The citizens are told that he is the leader of the nation and the head of the Party, but Winston can never determine whether or not he actually exists. In any case, the face of Big Brother symbolizes the Party in its public manifestation; he is a reassurance to most people (the warmth of his name suggests his ability to protect), but he is also an open threat (one cannot escape his gaze). Big Brother also symbolizes the vagueness with which the higher ranks of the Party present themselves—it is impossible to know who really rules Oceania, what life is like for the rulers, or why they act as they do. Winston thinks he remembers that Big Brother emerged around 1960, but the Party's official records date Big Brother's existence back to 1930, before Winston was even born.



    The Glass Paperweight and St. Clement's Church



    By deliberately weakening people's memories and flooding their minds with propaganda, the Party is able to replace individuals' memories with its own version of the truth. It becomes nearly impossible for people to question the Party's power in the present when they accept what the Party tells them about the past—that the Party arose to protect them from bloated, oppressive capitalists, and that the world was far uglier and harsher before the Party came to power. Winston vaguely understands this principle. He struggles to recover his own memories and formulate a larger picture of what has happened to the world. Winston buys a paperweight in an antique store in the prole district that comes to symbolize his attempt to reconnect with the past. Symbolically, when the Thought Police arrest Winston at last, the paperweight shatters on the floor.



    The old picture of St. Clement's Church in the room that Winston rents above Mr. Charrington's shop is another representation of the lost past. Winston associates a song with the picture that ends with the words “Here comes the chopper to chop off your head!” This is an important foreshadow, as it is the telescreen hidden behind the picture that ultimately leads the Thought Police to Winston, symbolizing the Party's corrupt control of the past.



    The Place Where There Is No Darkness



    Throughout the novel Winston imagines meeting O'Brien in “the place where there is no darkness.” The words first come to him in a dream, and he ponders them for the rest of the novel. Eventually, Winston does meet O'Brien in the place where there is no darkness; instead of being the paradise Winston imagined, it is merely a prison cell in which the light is never turned off. The idea of “the place where there is no darkness” symbolizes Winston's approach to the future: possibly because of his intense fatalism (he believes that he is doomed no matter what he does), he unwisely allows himself to trust O'Brien, even though inwardly he senses that O'Brien might be a Party operative.



    The Telescreens



    The omnipresent telescreens are the book's most visible symbol of the Party's constant monitoring of its subjects. In their dual capability to blare constant propaganda and observe citizens, the telescreens also symbolize how totalitarian government abuses technology for its own ends instead of exploiting its knowledge to improve civilization.



    The Red-Armed Prole Woman



    The red-armed prole woman that Winston hears singing through the window represents Winston's one legitimate hope for the long-term future: the possibility that the proles will eventually come to recognize their plight and rebel against the Party. Winston sees the prole woman as a prime example of reproductive virility; he often imagines her giving birth to the future generations that will finally challenge the Party's authority.

    Important Quotations Explained



    1. war is peace

    freedom is slavery

    ignorance is strength

    These words are the official slogans of the Party, and are inscribed in massive letters on the white pyramid of the Ministry of Truth, as Winston observes in Book One, Chapter I. Because it is introduced so early in the novel, this creed serves as the reader's first introduction to the idea of doublethink. By weakening the independence and strength of individuals' minds and forcing them to live in a constant state of propaganda-induced fear, the Party is able to force its subjects to accept anything it decrees, even if it is entirely illogical—for instance, the Ministry of Peace is in charge of waging war, the Ministry of Love is in charge of political torture, and the Ministry of Truth is in charge of doctoring history books to reflect the Party's ideology.



    That the national slogan of Oceania is equally contradictory is an important testament to the power of the Party's mass campaign of psychological control. In theory, the Party is able to maintain that “War Is Peace” because having a common enemy keeps the people of Oceania united. “Freedom Is Slavery” because, according to the Party, the man who is independent is doomed to fail. By the same token, “Slavery Is Freedom,” because the man subjected to the collective will is free from danger and want. “Ignorance Is Strength” because the inability of the people to recognize these contradictions cements the power of the authoritarian regime.



    __________

    Who controls the past controls the future. Who controls the present controls the past.

    This Party slogan appears twice in the novel, once in Book One, Chapter III, when Winston is thinking about the Party's control of history and memory, and once in Book Three, Chapter II, when Winston, now a prisoner in the Ministry of Love, talks to O'Brien about the nature of the past. The slogan is an important example of the Party's technique of using false history to break down the psychological independence of its subjects. Control of the past ensures control of the future, because the past can be treated essentially as a set of conditions that justify or encourage future goals: if the past was idyllic, then people will act to re-create it; if the past was nightmarish, then people will act to prevent such circumstances from recurring. The Party creates a past that was a time of misery and slavery from which it claims to have liberated the human race, thus compelling people to work toward the Party's goals.



    The Party has complete political power in the present, enabling it to control the way in which its subjects think about and interpret the past: every history book reflects Party ideology, and individuals are forbidden from keeping mementos of their own pasts, such as photographs and documents. As a result, the citizens of Oceania have a very short, fuzzy memory, and are willing to believe anything that the Party tells them. In the second appearance of this quote, O'Brien tells Winston that the past has no concrete existence and that it is real only in the minds of human beings. O'Brien is essentially arguing that because the Party's version of the past is what people believe, that past, though it has no basis in real events, has become the truth.

    _______

    In the end the Party would announce that two and two made five, and you would have to believe it. It was inevitable that they should make that claim sooner or later: the logic of their position demanded it. Not merely the validity of experience, but the very existence of external reality was tacitly denied by their philosophy.

    This quote occurs in Book One, Chapter VII, as Winston looks at a children's history book and marvels at the Party's control of the human mind. These lines play into the theme of psychological manipulation. In this case, Winston considers the Party's exploitation of its fearful subjects as a means to suppress the intellectual notion of objective reality. If the universe exists only in the mind, and the Party controls the mind, then the Party controls the universe. As Winston thinks, “For, after all, how do we know that two and two make four? Or that the force of gravity works? Or that the past is unchangeable? If both the past and the external world exist only in the mind, and if the mind itself is controllable—what then?” The mathematical sentence 2 + 2 = 5 thus becomes a motif linked to the theme of psychological independence. Early in the novel, Winston writes that “Freedom is the freedom to say that two plus two make four.” The motif comes full circle at the end of the novel after the torture Winston suffers in the Ministry of Love breaks his soul; he sits at the Chestnut Tree Café and traces “2 + 2 = 5” in the dust on his table.

  3. I have not read the book, but here are a couple of links that may help you.  


  4. easy they all conform to govts brain dead rules

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