Can someone please be compasisonate and help me with this essay!?

Question

I need to write a 2500 word anthropological essay on Tattooing cross culturally. It should discuss all kinds of body modification in general : tattooing, piercings, painting.... I need proper quotes and citations and they must be real anthropological resources.

ANY HELP IS APPRECIATED!! A couple paragraphs on one idea...anything! I NEED HELP!

Answer 1

This is a very interesting topic and you should have no trouble finding material to write about. You should go to your school's library and ask the librarian for help - that is what they are there for! - in finding sources. There are probably books on the topic, and certainly articles in anthropological journals.

There is also plenty of information online - see some of the links below that were the first things I came upon from a Google search. And though you shouldn't use a Wikipedia article as your source, a Wikipedia article does list all of its sources which you CAN use. (See below.)

And the final thing that would make this a very good ANTHROPOLOGY paper is if you did a little "field work" of your own. Depending on what the thesis of your paper is - why people tattoo themselves, or what they say about a person in society - you should go out and interview five people about their tattoos. Come up with a basic questionnaire - "When did you get your first," "Why", "What are your tattoos of" and "How do people react" etc. - so you can gather your OWN information and quotes that nobody else will have for their paper! It's also the anthropological model of research, so you seem like an extra smarty pants.

Good luck.

Answer 2

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Tattoo

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For other uses, see Tattoo (disambiguation).

A tattoo is a mark made by inserting pigment into the skin; in technical terms, tattooing is dermal pigmentation. Tattoos may be made on human or animal skin. Tattoos on humans are a type of body modification, while tattoos on animals are most commonly used for identification.

Tattooing has been practiced worldwide. The Ainu, the indigenous people of Japan, wore facial tattoos. Tattooing was widespread among Polynesian peoples, and among certain tribal groups in the Philippines, Borneo, Africa, North America, South America, Mesoamerica, Europe, Japan, Cambodia and China. Despite some taboos surrounding tattooing, the art continues to be popular all over the world.

Photograph of healed back tattoo.

Photograph of healed back tattoo.

Contents

[hide]

    * 1 Terms

    * 2 History

    * 3 Purpose

    * 4 Prevalence

    * 5 Negative associations

          o 5.1 Secular attitudes

          o 5.2 Abrahamic religious prohibitions

    * 6 Procedure

          o 6.1 "Natural" tattoos

          o 6.2 Dyes and pigments

          o 6.3 Studio hygiene

          o 6.4 Aftercare

          o 6.5 Tattoo removal

    * 7 Health risks

          o 7.1 Infection

          o 7.2 Allergic reactions

          o 7.3 Tattoo Inks

    * 8 Temporary tattoos

    * 9 Forensics

    * 10 Notes

    * 11 References

          o 11.1 Anthropological

          o 11.2 Popular and artistic

          o 11.3 Medical

          o 11.4 Other references

    * 12 See also

          o 12.1 Tattoo types

Terms

It is commonly believed that the original root word of 'tattoo' comes from the Samoan or the Tahitian word tatau, meaning to mark or strike twice (the latter referring to traditional methods of applying the designs).[1] The first syllable "ta", meaning "hand", is repeated twice as an onomatopoeic reference to the repetitive nature of the action, and the final syllable "U" translates to "color".[citation needed] The instrument used to pierce the skin in Polynesian tattooing is called a hahau, the syllable "ha" meaning to "strike or pierce".[citation needed] (This is not to be confused with the origins of the word for the military drumbeat — see military tattoo.)

The first closest known usage of the word in English was recorded in the diary of Captain James Cook in 1769 during his voyage to the Marquesas Islands. The text reads, “...they print signs on people’s body and call this tattaw”, referring to the Polynesian customs.[citation needed] Sailors on the voyage later introduced both the word and the concept of tattooing to Europe.[2]

In Japanese the word used for traditional designs or those that are applied using traditional methods is irezumi ("insertion of ink"), while "tattoo" is used for non-Japanese designs.

Tattoo enthusiasts may refer to tattoos as tats, ink, art, or work, and to tattooists as artists. The latter usage is gaining greater support, with mainstream art galleries holding exhibitions of tattoo designs and photographs of tattoos. Tattoo designs that are mass-produced and sold to tattoo artists and studios and displayed in shop are known as flash.

History

    Main article: History of tattooing

Tattooing has been a Eurasian practice at least since Neolithic times. Mummies bearing tattoos and dating from the end of the second millennium BC have been discovered at Pazyryk on the Ukok Plateau. Tattooing in Japan is thought to go back to the Paleolithic era, some ten thousand years ago. Various other cultures have had their own tattoo traditions, ranging from rubbing cuts and other wounds with ashes, to hand-pricking the skin to insert dyes.

Purpose

Tattooing is a tradition with several indigenous peoples around the world.

Tattooing is a tradition with several indigenous peoples around the world.

Tattoos have served as rites of passage, marks of status and rank, symbols of religious and spiritual devotion, decorations for bravery, sexual lures and marks of fertility, pledges of love, punishment, amulets and talismans, protection, and as the marks of outcasts, slaves and convicts.

Today, people choose to be tattooed for cosmetic, religious and magical reasons, and as a symbol of belonging to or identification with particular groups (see Criminal tattoos). Tattoos of favorite bands and football teams' logos are fairly common in the west. Some Māori still choose to wear intricate moko on their faces. In Cambodia and Thailand, the yantra tattoo is used for protection.

People have also been forcibly tattooed for a various reasons. The best known is the ka-tzetnik identification system for Jews in part of the concentration camps during the Holocaust. European sailors were known to tattoo the crucifixion on their backs to prevent flogging (since it was a crime to deface an image of Christ).

Tattoos are also placed on animals, though very rarely for decorative reasons. Pets, show animals, thoroughbred horses and livestock are sometimes tattooed with identification and other marks. Pet dogs and cats are often tattooed with a serial number (usually in the ear, or on the inner thigh) via which their owners can be identified. In Australia, the symbol Φ is tattooed in the ears of cats and dogs to indicate that they have been spayed or neutered. Also, animals are occasionally tattooed to prevent sunburn (on the nose, for example). Such tattoos are often performed by a veterinarian and in most cases the animals are anaesthetized during the process. Branding is used for similar reasons and is often performed without anaesthesia, but is different from tattooing as no ink or dye is inserted during the process.

When used as a form of cosmetics, tattooing includes permanent makeup, and hiding or neutralize skin discolorations. Permanent makeup are tattoos that enhance eyebrows, lips (liner or lipstick), eyes (liner), and even moles, usually with natural colors as the designs are intended to resemble makeup.

Prevalence

Tattoos have experienced a resurgence in popularity in recent decades in many parts of the world, particularly in North America, Japan, and Europe. The growth in tattoo culture has seen an influx of new artists into the industry, many of whom have technical and fine art training. Coupled with advancements in tattoo pigments and the ongoing refinement of the equipment used for tattooing, this has led to an improvement in the quality of tattoos being produced. Movie stars, models, popular musicians and sports figures are just some of the people in the public eye who are tattooed, which in turn has fueled the acceptance of tattoos. During the 2000s, the presence of tattoos became evident within pop culture, inspiring television shows such as A&E's Inked and TLC's Miami Ink. The decoration of blues singer Janis Joplin with a wristlet and a small heart on her left breast, by the San Francisco tattoo artist Lyle Tuttle, is taken as a seminal moment in the popular acceptance of tattoos as art.[1].

Lower back tattoos are more common among young women.

Lower back tattoos are more common among young women.

In many traditional cultures tattooing has also enjoyed a resurgence, partially in deference to cultural heritage. Historically, a decline in traditional tribal tattooing in Europe occurred with the spread of Christianity. A decline often occurred in other cultures following European efforts to convert aboriginal and indigenous people to Western religious and cultural practices that held tattooing to be a "pagan" or "heathen" activity. Within some traditional indigenous cultures, tattooing takes place within the context of a rite of passage between adolescence and adulthood.

A poll conducted online between July 14 and 20, 2003 (Harris 2003), found that 16% of all adults in the United States have at least one tattoo. The highest incidence of tattoos was found among the g*y, L*****n and bisexual population (31%) and among Americans ages 25 to 29 years (36%) and 30 to 39 years (28%). Regionally, people living in the West (20%) were more likely to have tattoos. Democrats were more likely to have tattoos (18%) than Republicans (14%) and Independents (12%); approximately equal percentages of males (16%) and females (15%) have tattoos.

Negative associations

Secular attitudes

Conspicuous tattoos and other body modification can make gainful employment difficult in a great deal of fields

Conspicuous tattoos and other body modification can make gainful employment difficult in a great deal of fields

Although in some walks of life, they are not a burden. Head tattoo on office manager, three months healed.

Although in some walks of life, they are not a burden. Head tattoo on office manager, three months healed.

Some employers, especially in professional fields, still look down on tattoos or regard them as contributing to an unprofessional appearance. Tattoos can therefore impair a wearer's career prospects, particularly when inked on places not typically covered by clothing, such as the hands, neck or face. It is not unusual for tattoo artists to refuse to tattoo these very conspicuous areas.

In some cultures, tattoos still have negative associations despite their increasing popularity, and are generally associated with criminality in the public's mind; therefore those who choose to be tattooed in such countries usually keep their tattoos covered for fear of reprisal. For example, many businesses such as gyms, hot springs and recreational facilities in Japan still ban people with visible tattoos, in part because of their association in the popular imagination with the yakuza, or Japanese mafia. In Western cultures as well, some dress codes specify that tattoos must be covered.

According to popular belief, most triad members in Hong Kong have a tattoo of a black dragon on the left biceps and one of a white tiger on the right; in fact, many people in Hong Kong use "left a black dragon, right a white tiger" as a euphemism for a triad member. It is widely believed that one of the initiation rites in becoming a triad member is silently withstanding the pain of receiving a large tattoo in one sitting, usually performed in the traditional "hand-poked" style. One reason the Chinese associate tattoos with criminals is because historically criminals who were released from prison for minor crimes were given distinctive tattoos on some easily notice part of their body as a "warning sign" to other people.[citation needed]

In the United States many prisoners and criminal gangs use distinctive tattoos to indicate facts about their criminal behavior, prison sentences, and organizational affiliation. This cultural use of tattoos predates the widespread popularity of tattoos in the general population, so older people may still associate tattoos with criminality. At the same time, members of the U.S. military have an equally established and longstanding history of tattooing to indicate military units, battles, etc., and this association is also widespread among older Americans. Tattooing is also widespread in the British Armed Forces.

Tattoos can have additional negative associations for women; "tramp stamp" and other similarly derogatory slang phrases are sometimes used to describe a tattoo on a woman's lower back. The prevalence of women in the tattoo industry itself, along with larger numbers of women wearing tattoos, has somewhat changed these perceptions.

Slang within the industry is not limited to women's tattoos.Tattoo artists traditionally refer to a small bikini line tattoo as a "tramp stamp", and the larger lower back pieces as "*** antlers". Tiny, interlocking tribal armbands are often referred to as "tribble", and unskilled artists are referred to as "scab merchants", or "scar vendors", originally according to Sailor Jerry. Slang and jargon within the tattoo industry evolves as quickly as customer's tastes change.

Abrahamic religious prohibitions

    Main article: History of tattooing

Some followers of Abrahamic religions—Judaism, Christianity, and Islam—feel that their religious doctrine proscribes or constrains tattoos among followers, or has other religious significances.

Procedure

Modern tattoo machine in use: here outfitted with a 5-needle setup, but number of needles depends on size and shading desired

Modern tattoo machine in use: here outfitted with a 5-needle setup, but number of needles depends on size and shading desired

Some tribal cultures traditionally created tattoos by cutting designs into the skin and rubbing the resulting wound with ink, ashes or other agents; some cultures continue this practice, which may be an adjunct to scarification. Some cultures create tattooed marks by hand-tapping the ink into the skin using sharpened sticks or animal bones or, in modern times, needles. Traditional Japanese tattoos (irezumi) are still "hand-poked," that is, the ink is inserted beneath the skin using non-electrical, hand-made and hand held tools with needles of sharpened bamboo or steel.

The most common method of tattooing in modern times is the electric tattoo machine, which inserts ink into the skin via a group of needles that are soldered onto a bar, which is attached to an oscillating unit. The unit rapidly and repeatedly drives the needles in and out of the skin, usually 80 to 150 times a second.

The modern electric tattoo machine is far removed from the machine invented by Samuel O'Reilly in 1891. O'Reilly's machine was based on the rotary technology of the electric engraving device invented by Thomas Edison. Modern tattoo machines use electromagnetic coils. The first coil machine was patented by Thomas Riley in London, 1891 using a single coil. The first twin coil machine, the predecessor of the modern configuration, was invented by another Englishman, Alfred Charles South of London, in 1899.

"Natural" tattoos

According to George Orwell, coal miners could develop characteristic tattoos owing to coal dust getting into wounds. This can also occur with substances like gunpowder. Similarly, a traumatic tattoo occurs when a substance such as asphalt is rubbed into a wound as the result of some kind of accident or trauma. These are particularly difficult to remove as they tend to be spread across several different layers of skin, and scarring or permanent discoloration is almost unavoidable depending on the location. In addition, tattooing of the gingiva from implantation of amalgam particles during dental filling placement and removal is possible and not uncommon. A common example of such accidental tattoos is the result of a deliberate or accidental stabbing with a pencil or pen, leaving graphite or ink beneath the skin.

Dyes and pigments

A wide range of dyes and pigments can be used in tattoos, from inorganic materials like titanium dioxide and iron oxides to carbon black, azo dyes, and acridine, quinoline, phthalocyanine and naphthol derivates, dyes made from ash, and other mixtures.

Iron oxide pigments are used in greater extent in cosmetic tattooing. Many pigments were found to be used in a survey[1] of professional tattooists. Recently, a blacklight-reactive tattoo ink using PMMA microcapsules has surfaced. The technical name is BIOMETRIX System-1000, and is marketed under the name "Chameleon Tattoo Ink".

Studio hygiene

The properly equipped tattoo studio will use biohazard containers for objects that have come into contact with blood or bodily fluids, sharps containers for old needles, and an autoclave for sterilizing tools. Studios are also required by law to have a sink in the work area supplied with both hot and cold water.

Proper hygiene requires a body modification artist to wash his or her hands before starting to prepare a client for the stencil, between clients, and at any other time where cross contamination can occur. The use of single use disposable gloves is also mandatory. In some states and countries it is illegal to tattoo a minor even with parental consent, and it is usually not allowed to tattoo impaired persons, people with contraindicated skin conditions, those who are pregnant or nursing, or those incapable of consent due to mental incapacity. Before the tattooing begins the client is asked to approve the position of the applied stencil. After approval is given the artist will open new, sterile needle packages in front of the client, and always use new, sterile or sterile disposable instruments and supplies, and fresh ink for each session (loaded into disposable ink caps which are discarded after each client). Also, all areas which may be touched with contaminated gloves will be wrapped in clear plastic to prevent cross-contamination. Equipment that cannot be autoclaved (such as countertops, machines, and furniture) will be wiped with an approved disinfectant.

Membership in professional organizations, or certificates of appreciation/achievement, generally helps artists to be aware of the latest trends. However, many of the most notable tattooists do not belong to any association. While specific requirements to become a tattooist vary between jurisdictions, many mandate only formal training in bloodborne pathogens, and cross contamination. The local department of health regulates tattoo studios in many jurisdictions.

For example, according to the health department in Oregon and Hawaii, tattoo artists in these states are required to take and pass a test ascertaining their knowledge of health and safety precautions, as well as the current state regulations. Performing a tattoo in Oregon state without a proper and current license or in an unlicensed facility is considered a felony offense. [2] Tattooing was legalized in New York City, Massachusetts, and Oklahoma between 2002 and 2006.

The time it takes to get a tattoo varies with size and complexity. A smaller tattoo done by machine may take fifteen minutes; another might take hundreds of hours or multiple sessions. Prices vary widely for this service globally and locally, depending on demand, experience of the artist, regulatory fees, and local economy.

Aftercare

Tattoo artists, and people with tattoos, vary widely in preferred methods of caring for new tattoos. Some artists recommend keeping a new tattoo wrapped for the first twenty-four hours, others suggest removing temporary bandaging after a few hours. Many western tattooists advise against allowing too much contact with water for the first few days; in Japan, in contrast, a new tattoo is often bathed in very hot water early and often.

General consensus for care advises against removing the scab that forms on a new tattoo and avoiding exposing tattoos to the sun for extended periods, which can contribute to fading. Various products may be recommended for application to the skin, ranging from those intended for the treatment of cuts, burns and scrapes, to petroleum jelly or lanolin. In recent years, specific commercial products have been developed for tattoo aftercare. In other cases, the client will be advised to use no products on a new tattoo. A properly applied tattoo will heal as well no matter the aftercare, as long as infection is avoided.

Tattoo removal

While tattoos are considered permanent, it is possible, to varying degrees, to remove them. Complete removal, however, is often not possible, and the expense and pain of removing them typically will be greater than the expense and pain of applying them. Some jurisdictions will pay for the voluntary removal of gang tattoos.

Tattoo removal is most commonly performed using lasers that react with the ink in the tattoo, and break it down. The broken-down ink is then absorbed by the body, mimicking the natural fading that time or sun exposure would create. This technique often requires many repeated visits to remove even a small tattoo, and may result in permanent scarring. The newer Q-switched lasers are said by the National Institute of Health to result in scarring only rarely, however, and are usually used only after a topical anaesthetic has been applied. The NIH recognizes five types of tattoo; amateur, professional, cosmetic, medical, and traumatic (or natural). Amateur tattoos are easier and quicker to remove, usually, than professional tattoos. Areas with thin skin will be more likely to scar than thicker-skinned areas. There are several types of Q-switched lasers, and each is effective at removing a different range of the color spectrum.

Some wearers opt to cover an unwanted tattoo with a new tattoo. This is commonly known as a cover-up. An artfully done cover-up may render the old tattoo completely invisible, though this will depend largely on the size, style, colours and techniques used on the old tattoo. Some shops and artists use laser removal machines to break down and lighten undesired tattoos to make coverage with a new tattoo easier. Since tattoo ink is translucent, covering up a previous tattoo necessitates darker tones in the new tattoo to effectively hide the older, unwanted piece.

Health risks

Modern tattoo artist's latex gloves and sterilized equipment.

Modern tattoo artist's latex gloves and sterilized equipment.

Because it requires breaking the skin barrier, tattooing may carry health risks, including infection and allergic reactions. In the United States, for example, a person who receives a tattoo will generally be prohibited from donating blood for 12 months (FDA 2000), unless the procedure was done in a state-regulated and licensed studio, using sterile technique (Red Cross,2006). Most studios that are eligible can provide vouchers.

Modern western tattooers reduce such risks by following universal precautions, working with single-use items, and sterilizing their equipment after each use. Many jurisdictions require that tattooists have bloodborne pathogen training, such as is provided through the Red Cross and OSHA.

Infection

Since tattoo instruments come in contact with blood and bodily fluids, diseases may be transmitted if the instruments are used on more than one person without being sterilized. However, infection from tattooing in clean and modern tattoo studios employing single-use needles is rare. In amateur tattoos, such as those applied in prisons, however, there is an elevated risk of infection. To address this problem, a program was introduced in Canada as of the summer of 2005 that provides legal tattooing in prisons, both to reduce health risks and to provide inmates with a marketable skill. Inmates were to be trained to staff and operate the tattoo parlors once six of them open successfully.[2]

Infections that could be transmitted via the use of unsterilized tattoo equipment include surface infections of the skin, herpes simplex virus, tetanus, staph, fungal infections, some forms of hepatitis, and HIV. No person in the United States is reported to have contracted HIV via a commercially-applied tattooing process.[citation needed] Washington state's OSHA studies have suggested that since the needles used in tattooing are not hollow, in the case of a needle stick injury the amount of fluids transmitted may be small enough that HIV would be difficult to transmit. Tetanus risk is prevented by having an up-to-date tetanus booster prior to being tattooed. The Centers for Disease Control and Prevention states that no data exist in the United States indicating that persons with exposures to tattooing alone are at increased risk for HCV infection. In 2006, the CDC reported 3 clusters with 44 cases of methicillin-resistant staph infection traced to unlicensed tattooists (MMWR 55(24)). One should not consume alcohol directly before or after getting a tattoo. Not only does it weaken the body’s ability to deal with physical stress, alcohol thins the blood, causing more bleeding during the procedure.

Allergic reactions

Allergic reactions to tattoo pigments are uncommon except for certain brands of red and green. People who are sensitive or allergic to certain metals may react to pigments in the skin with swelling and/or itching, and/or oozing of clear fluid called sebum. Such reactions are quite rare, however, and some artists will recommend performing a test patch.

For those who are allergic to latex, many artists are using non-latex or will use non-latex gloves if asked.

There is also a small risk of anaphylactic shock (hypersensitive reaction) in those who are susceptible, but the chance of a health risk is small.

Tattoo Inks

Although the FDA technically requires premarket approval of inks; because of limited resources, it has not actually approved the use of any ink for tattoos. As of 2004 they do perform studies to determine if the contents are possibly dangerous, and follow up with legal action if they find them to have disallowed contents including traces of heavy metals or other carcinogenic materials (see CA lawsuit). The first known study to characterize the composition of these inks was started in 2005 at Northern Arizona University (Finley-Jones and Wagner). The FDA expects local authorities to legislate and test tattoo inks and inks made for the use of permanent cosmetics. In California, the state prohibits certain ingredients and pursues companies who fail to notify the consumer of the contents of tattoo inks. Recently, the state of California sued nine ink manufacturers, requiring them to more adequately label their products.

There has been concern expressed about the interaction between magnetic resonance imaging (MRI) procedures and tattoo inks, some of which contain trace metals. Allegedly, the magnetic fields produced by MRI machines could interact with these metal particles, potentially causing burns or distortions in the image. The television show MythBusters tested the theory, and found no interaction between tattoo inks and MRI.

However, research by Shellock and Crues reports adverse reactions to MRI and tattoos in a very small number of cases. Wagle and Smith also documented an isolated case of Tattoo-Induced Skin Burn During MR Imaging. The person in the case had a dark, concentrated, loop-shaped tattoo, which the authors speculate could have acted as an RF (radio frequency) pick-up; they also note that this is the first such case they encountered in "thousands of MRI studies". Ratnapalan et al. report another case where an MRI could not be completed due to the patient's extensive tattoos. According to the American Chemical society, home-made tattoos, in which metallic inks have been used in larger quantities, cause these reactions.

Temporary tattoos

Temporary tattoos are not true tattoos, rather, they are a type of body sticker, similar to a decal. They are generally applied to the skin using water to temporarily transfer the design to the surface of the skin. Temporary tattoos are waterproof, but can be removed with oil-based creams, and are intended to last only a few days.

Magician Penn Jillette (of Penn & Teller fame) writes in his book "Penn & Teller's How to Play in Traffic" that he had a special tattoo made on his arm that used no pigment (it was simply a needle). Penn states that the tattoo left a red scar that had a discernable pattern, but would heal to near invisibility after five or six years.

Other forms of temporary "tattoos" are henna tattoos, also known as Mehndi, and the marks made by the stains of silver nitrate on the skin when exposed to ultraviolet light. Both methods, silver nitrate and henna, can take up to two weeks to fade from the skin.

Airbrush tattoos are another popular form of temporary tattoos. This process involves using a stencil design and spraying paint through the stencil onto the skin. This form of tattoo lasts approximately a week and is said to be the more realistic type available today.

The original form of temporary tattoos, usually found in bubble gum, were an ink transfer that often made the image look blurry and would come off with water contact. Today's temporary tattoos use vegetable dyes and a layer of glue similar to what is found in a Band-Aid. These tattoos can look extremely realistic and last up to 3 weeks.

Forensics

Tattoos are sometimes used by forensic pathologists to help them identify burned, putrefied, or mutilated bodies. Tattoo pigment is deep enough in the skin that even severe burns will often not destroy a tattoo.

Notes

   1. ^ Deb Acord "Who knew: Mommy has a tattoo", Maine Sunday Telegram Nov. 19, 2006

   2. ^ Oregon state health dept. - http://www.oregon.gov/OHLA/links.shtml

References

Anthropological

    * Comparative study about Ötzi's therapeutic tattoos (L. Renaut, 2004, French and English abstract)

    * Fisher, Jill A. 2002. Tattooing the Body, Marking Culture. Body & Society 8 (4): 91-107.

    * PhD Thesis on body-marking in Antiquity (L. Renaut, 2004, French and English abstract)

    * Marked for Life: Jews and Tattoos (Shaun Raviv, June 2006, Moment Magazine).

    * Buckland, A. W.: „On Tattooing“, in Journal of the Royal Anthropological Institute of Great Britain and Ireland, 1887/12, p. 318-328.

    * Caplan, Jane ed.: Written on the Body: The Tattoo in European and American History, Princeton 2000.

    * DeMello, Margo: Bodies of Inscription: A Cultural History of the Modern Tattoo Community, California – Duke University Press 2000.

    * Gell, Alfred: Wrapping in Images: Tattooing in Polynesia, Oxford – Clarendon Press 1993.

    * Gilbert, Stephen G.: Tattoo History. A Source Book, New York – Juno Books 2001.

    * Gustafson, Mark: „Inscripta in fronte - Penal Tattooing in Late Antiquity“, in Classical Antiquity, April 1997, Vol. 16/No. 1, p. 79-105.

    * Hambly, Wilfrid Dyson: The History of Tattooing and Its Significance: With Some Account of Other Forms of Corporal Marking, London - H. F.& G. Witherby 1925 (Detroit 1974).

    * Jelski, Andrzej: Tatuaż, Warszawa – Wydawnictwo Alfa 1993 (Polish).

    * Joest, Wilhelm: Tätowiren, Narbenzeichnen und Körperbemalen: Ein Beitrage zur vergleichenden Ethnologie, Leipzig/Berlin 1887 (German).

    * Jones, C. P.: „Stigma: Tattooing and Branding in Graeco-Roman Antiquity“, in Journal of Roman Studies, 77/1987, s. 139-155.

    * Keimer, Ludwig: Remarques sur le Tatouage dans l´Egypte ancienne, Le Caire – Imprimerie de L´Institut Francais D´Archéologie orientale 1948 (French).

    * Lombroso, Cesare: „The Savage Origin of Tattooing“, in Popular Science Monthly, Vol. IV., 1896.

    * Rubin, Arnold ed.: Marks of Civilization. Artistic Transformations of the Human Body, Los Angeles – UCLA Museum of Cultural History 1988.

    * Rychlík, Martin: Tetování, skarifikace a jiné zdobení těla, Prague - NLN 2005 (Czech).

    * Sanders, Clinton R.: Customizing the Body. The Art and Culture of Tattooing, Philadelphia – Temple University Press 1989.

    * Sinclair, A.T.: „Tattooing of the North American Indians“, in American Anthropologist 1909/11, No. 3, p. 362-400.

Popular and artistic

    * Harris Interactive. A Third of Americans With Tattoos Say They Make Them Feel More s**y. The Harris Poll #58, October 8, 2003. Retrieved on August 22, 2006.

    * Ink: The Not-Just-Skin-Deep Guide to Getting a Tattoo Terisa Green, ISBN 0-451-21514-1

    * The Tattoo Encyclopedia: A Guide to Choosing Your Tattoo Terisa Green, ISBN 0-7432-2329-2

    * Total Tattoo Book Amy Krakow, ISBN 0-446-67001-4

Medical

    * Centers for Disease Control and Prevention. CDC's Position on Tattooing and HCV Infection. Retrieved on June 12, 2006.

    * United States Food and Drug Administration. Tattoos and Permanent Makeup. CFSAN/Office of Cosmetics and Colors (2000; updated [2004, 2006]). Retrieved on June 12, 2006.

    * Haley Finley-Jones, Leslie D. Wagner, and Jani C. Ingram. In the flesh: Chemical characterization of tattoo inks. Northern Arizona University. Retrieved on June 13, 2006 ].

    * Haley R.W. and Fischer R.P., Commercial tattooing as a potential source of hepatitis C infection, Medicine, March 2000;80:134-151

    * Mayo Clinic. Tattoos and piercings: What to know beforehand. Mayo Clinc.

    * Centers for Disease Control and Prevention. Methicillin-Resistant Staphylococcus aureus Skin Infections Among Tattoo Recipients --- Ohio, Kentucky, and Vermont, 2004--2005. Morbidity and Mortality Weekly Report 55(24);677-679. Retrieved on June 23, 2006.

    * MR Safety and the American College of Radiology Shellock, F.G. and Crues, J.V. American Journal of Roentgenology White Paper

    * Tattoo-Induced Skin Burn During MR Imaging Wagle, W.A. and Smith, M. American Journal of Roentgenology: Article

    * Articles on Tattoo.com, CA lawsuit[3]

    * Article listing inks which may react to MRI[4]

    * American Chemical Society study[5]

    * Washington state OSHA information about HIV in body fluids [6]

    * NIH report on Q-switch and ruby laser removal methods [7]

    * Red Cross Donation Guidelines for recent tattoos, 2006[8]

Other references

    * ^  Investigation of pigments in tattoo colours Survey no. 2, 2002, Danish Environmental Protection Agency:

    * ^  Canada to open prison tattoo parlors May 4, 2004, CNN.com

    * ^  Tattoo FAQ November 22, 2006, Article Dashboard

See also

Wikisource has an original article from the The New Student's Reference Work about:

Tattooing

    * Asemic Writing = Tattoo Poetry/Calligraphy/Narrative

    * Body modification

    * Scarification

    * Flash (tattoo) - a sheet of paper or card board with tattoo designs printed or drawn on

    * Tattoo gun

    * Inked - television documentary series

    * Miami Ink - television reality show

Tattoo types

    * Traditional Tattoos

    * Americana Tattoos

    * Biomechanical Tattoos

    * Tribal Tattoos

    * Chinese character tattoos

    * Criminal tattoos

    * Irezumi - Japanese tattoo

    * Ka-tzetnik tattoo

    * Lower back tattoo

    * Marquesan tattoo

    * Medical tattoo

    * Permanent makeup

    * Sleeve Tattoo

    * Tā moko - the cultural practice of tattooing practiced by the Māori

    * Tear tattoo

    * Three Dots Tattoo

    * Five Dots Tattoo