Do you know much about Elizabeth Kenny?

Question

Hey Arbiter, if you have taken the time to wipe the ever so attractive and yet undoubtedly handsome amount of snot that's running out of both sides of your nostrils I'm sure that with such a high force of intellect that you posses, you will have come quickly to find out that this has nothing to do with Elizabeth Kenny! As it was only a ploy to get your attention once again! For a man of your stature hmmm how were you fooled so easily?

Now for the real question!

Aw yes, but to pretend to be one of intellect with something rather dashing, and witty to say to one who uses force or anger as a charged emotion to ask rather seemingly stupid questions, unwittingly hides behind a wall acting the part of the coward to where as his mind may be one of higher standards yet he lacks the balls to face off to the one who he so "Intelligently" ran his mouth to!

The real question to be asked here is the brain of an intelligent man, intelligent enough to find his way out of an asskicking contest that his intelligence got him into to begen with oh ha and if his intelligence landed him in this asskicking contest, is he really that intelligent to begen with?

May the intelligent one answe this question, as my e-mail, and messenger contact info is right out in the open on my profile, and yet you intelligent man well....

Answer 1

Answering.....

Liz Kenny is one of the UK's best-established lute players. This site gives information about Liz herself, programming activities, education and performance research as well as a select discography and some reviews.

Like many lute players, Liz Kenny started out by playing the classical guitar. As a junior at the Royal Academy of Music she received intelligent guidance from Michael Lewin (now a colleague there) and came within reach of London concert life. Her first encounter with the lute was hearing a performance by Nigel North - later to be an inspiring teacher. After going down the byways of an English degree and back to the guitar, she returned to this sound. Discovering everything from the subtle feeling of playing on double strung lutes to the freedom of improvisation that playing continuo offered was an exhilarating and at times frustrating experience. Just as well she didn't know at the outset that playing the lute for a living would entail mastering and giving houseroom to a dozen different instruments …

Now her repertoire extends from the early 16th century through the domain of the theorbo and baroque lute to the 19th century, thanks to stumbling across a beautiful small French romantic guitar at a London dealer's.

Everything you want you can find in this link:

http://elizabethkenny.co.uk

The best luck for you!

Remember something that we say in my country, Brazil!

The dogs can bark but the carriage keeps going on!................

LIGHT BRIGHT!