How 2 make perfume,perfumed soap?

Question

How 2 make perfume,perfumed soap?

Answer 1

Please refer to :

http://www.makeperfumes.com/tips.html

and

http://www.waltonfeed.com/old/soap/soapr...

You'll find all the details you seek.

Answer 2

well there are some companies I think that do sell soap that smells like perfume, but if not I know my GF buys soap and stuff from bed and bath I think that's what it is but anyways they have some good soap that smells pretty good when you use it!

Answer 3

Basic Perfumed Hand Soap

              (This recipe makes nice soap)

5 cups rain or soft water

1/2 cup powdered borax

11.6 oz. lye

11 cups fat (lye calculated for lard. See lye to fat table.)

Add at trace...

1 oz. strawberry dye

2 oz. lanolin

3 oz. glycerin

3 T finely ground oatmeal

4 tsp. aromatic Rose Geranium

Water: For best results, use rain, distilled, reverse osmosis or de-mineralized water. Your water should be 0.38 of your fat by weight. Don't worry too much about getting it exact, however, as this measurement isn't terribly critical.

Lye: You should know a little bit about lye, or sodium hydroxide. Lye is a very strong base. If you get it on you, you will find it's bad stuff. (Be sure to store lye where kids or pets can NEVER get at it.) You must use care in determining what utensils and mixing containers you use when handling lye. Use wooden or plastic spoons and enameled, plastic or glass bowls for mixing. (Lye will eat up Aluminum in a hurry. Also, lye instantly and permanently takes the shine off Formica. Formica is so sensitive to lye that it left timeless streaks across the table where I wiped a few dry crystals off with my hand. Now, with our table top and kitchen counter tops ruined, the wife ushers me outside when I handle lye.)  You would be wise to wear eye protection and rubber gloves when handling the lye crystals or the lye solution after you have mixed it into the water.

            Dissolve lye in cold water. Having half your water as ice would be so much the better. Never pour the water into the lye. Doing this could cause the mixture to explode and blow very corrosive lye water and crystals all over the place. Rather, always pour the lye into the water. If you don't stir it immediately as you pour the lye into the water, the lye will settle to the bottom and quickly solidify. This isn't a problem as tapping it with the stirring utensil will break it up. As you mix it, a physical reaction takes place between the lye and the water generating a lot of heat. If you are making a large batch of soap, the lye can even start the water boiling - with little droplets of lye water splattering all over the place. If this starts happening, stop stirring it until the bubbling stops. Generally, it doesn't take more than a minute to dissolve the lye crystals into the water. You know this has happened as the water will become relatively clear. Before using, the lye water must now cool down to about 85 degrees F (or room temperature if your mixing area's above 85 degrees) before adding it to the fat.

Fats and Oils used in soap making. In my experiments I have learned almost any fat or oil can be used to make soap. Fats for soap making include animal fats such as tallow (fat from beef), lard (fat from pork), and the various plant derived oils and hydrogenated fats. Traditionally, animal fats have been used, with beef tallow making the hardest soap, pork lard a medium hardness soap and chicken fat the softest. It's generally accepted that the harder fats make better soap.

            There are a multitude of fats and they each bring their own unique qualities to soap. If you want to know what a particular fat will do, make a small batch of only that fat and see what kind of bar it makes. Armed with this knowledge you can mix fats to give your soap the qualities you want. This is how soap recipes are born.

            Whatever type of fat or oil you use, you must ensure it is clean and free of impurities. It shouldn't be rancid, have excess salt in it, or have any solid particles. (Many people remember the soap ‘grandma used to make,’ and have unpleasant memories of nasty smelling stuff. If Grandma had used clean, fresh, fat, her soap would have smelled clean and fresh. But we can't blame Grandma as she did the best she could with what she had. You will notice that Mrs. Mertz disagrees with me on this point in her ‘ how we used to do it’ page.)

            Rancid and dirty fat can be cleaned by boiling it for a few minutes in a large pot with four parts water to one part fat. Set it aside and let it cool. After it has solidified, remove the fat from the pot in one piece. One way to do this is to run hot water around the outside of the pot, melting a thin layer of fat next to the pan. It should then slide out. Scrape all the foreign matter off the bottom of the fat. If it is still dirty, repeat the cleaning process again. It is also fairly easy to render your own fat.

            What are your best fats for soap making? Amazingly, the soap making professionals feel that lard beats tallow and vegetable oils for gentleness to your skin. However, soap made with 100% lard doesn't lather very well. But it cleans beautifully. There is a predominant idea today that you must get bubbles for the soap to do its job. Soap making professionals have told me this is not the case. But if you want bubbles, you can have the kind of bubbles you want by using different oils.

            Different Fats that create bubbles:

Coconut Oil gives big, fluffy bubbles. One hundred percent coconut oil soap is sometimes used around maritime operations as it will even lather in sea water, really, about the only soap that will. Soap with coconut oil can be a tiny bit harsh on some people's skin. If you'd like cheap coconut oil, get a one or five gallon bucket of popcorn popping oil which is 100% coconut oil that's dyed yellow. Yes, you will be stuck with yellow soap but this won't be a problem for most people.

Olive oil gives very fine, silky bubbles. This oil is very good for the skin.

In your soap making, use at least 25% of these fats as part of your overall fat to get the desired effect you're seeking.

Saponification (Sap) Value: Each fat requires a different amount of lye to change the fat to soap. See our Lye to Fat Ratio Table Page for a short discussion on this and a listing of different fats and the lye required to convert them to soap.

            The temperature of the fat is important. It needs to be a bit above it’s melting point. This is 130 degrees F for beef tallow, or 85 degrees F for pork lard, or about the same temperature for vegetable oil. The hotter your oil, the faster the chemical reaction between the lye and the fat. But the hotter the oil, the easier the soap separates into layers during the mixing stage.

Mixing: With the lye water and fat at the right temperature, very gradually pour the lye water into the fat using a very small stream. Stir gently only in one direction the whole time you are adding the lye water. This helps it mix. You should insulate your mixing pot with old rags, etc, to prevent the fat from hardening before you've finished mixing the soap.

Saponification and its role in the mixing process: Simply stated, saponification is the name for the chemical process that happens between lye and fat as they turn into soap. It doesn't happen all at once, but actually takes days to complete. There are different levels of this process, and the most important one for you to know about is the "Trace" stage. This is the point at which your soap has thickened up somewhat. As you let the soap run off your mixing spoon back into the mixture, the falling soap stays on top and doesn't blend in, but leaves its "trace" mark on top. Its thickness is another way to know when trace occurs. Its consistency is much like the thickness of pudding after it's cooked but before it has set up.

            With stirring only, it can take a long time to get your soap to the trace stage depending on many variables. One of these variables is the heavyness of the fat. The lighter the fat or oil, the longer it will take it to trace. You can expect a wait anywhere from 30-60 minutes for animal fats to several hours or even days for the vegetable oils. Does this mean you need to sit and stir your soap for several hours until it traces? I don't. After mixing it for about 15 minutes, I do other things and mix the settled layers back up every 15 or 20 minutes when I happen to go by it. (You may wish to set your timer so you don't completely forget it!) At the trace stage of thickness, it won't separate out into layers when you pour it in your setting trays or molds.

            A False Trace can happen when making soap with fats that are solid at room temperature, such as tallow, lard, or shortening. If the temperature of your soap mix drops below the melting temperature of your fat, it will start to solidify. As it does, your batch will start to thicken up just like it was tracing - but it's not! Rather, it's the fats solidifying. To prevent this from happening, be sure that the soap you are mixing stays above the melting temperature of the fat. In fact, the warmer your soap, the quicker it will saponify. It wouldn't hurt to keep your soap up to around 115 degrees F to speed this process along a little more quickly. At 120 degrees F lanolin will curdle your batch, so sometimes, depending on the additives you've included, you may need to be very careful how hot you get it.

            Vegetable oils can also be used for making soap. These oils are liquid at room temperature and without employing a trick or two usually require many hours of mixing before they trace.

             Trick 1: Use a blender. The more finely the lye and fat molecules are intermixed the faster they will saponify. Using a blender, the trace stage can be reached in minutes instead of hours. Don't use an upright blender unless you don't mind millions of tiny air bubbles being permanently whipped into your soap. Use the hand-held type instead. With one of these, even your most stubborn oils should trace within 20 minutes. Sometimes, you can get a trace with animal fats in just a couple of minutes. Anyone who has sat around for hours stirring a batch of soap will be ecstatic with this.

            Trick 2: Cook it. There are a couple of processes that I have developed myself yet are rather unorthodox. And this is one of them. If you don't have a blender, perhaps cooking your soap is for you. See our soap cooking page for more details. After it has cooled, pour or spoon it into the soap mold or tray and treat it like you would for the no-cook recipes. Even though it has been cooked, the chemical reaction that slowly turns liquid vegetable oils into soap will take much longer than cooked animal fat soaps.

When your soap has traced you can add

your superfatting, coloring and perfume oils.

Superfatting oil: When your soap gets to its trace stage, the saponification process is around 90% complete. Fat added at this point makes your soap softer. There is a reason why the superfatting oil is added after tracing instead of at the beginning with all the other fats. If it was added at the beginning you wouldn't have any control over which fat or oil ended up as your 'free fat' as all fats would saponify together. This is presupposing you are going to superfat with a different fat or oil than you used to make your soap with. Exotic oils are generally used in superfatting. They are added at trace to give the benefit of their desirable qualities without having to use so much it empties your wallet. A good rule of thumb is to use 1 oz. per pound of total fat used in the recipe. (That's one part superfatting oil to 16 parts total fat.) Let me list just 2 of the more common superfatting oils:

Avocado Oil: Feels very soft to the skin and makes an excellent shaving soap.

Cocoa Butter: Makes a hard bar. It smells and looks nice, but doesn't lather.

Coloring Dyes: Several things are used to color soap.  Approved items are clays, mineral pigments and spices. You can get these items from soap supply companies. Moving back into the area of unorthodoxy again, I color all my soap with a piece of crayon. Virtually all crayon is made with stearic acid, a type of fat. The stearic acid saponifies into the soap leaving behind the pigment.

            I melt crayon into my soap after it has traced. Don't be tempted to put your crayon in at the beginning as the lye will change its color. You may need to heat a half cup or so of your traced soap to about 150 degrees F to get it to the melting temperature of the crayon. Even adding a crayon at this late stage of mixing, you may notice a slight color shift over time.

Scenting Oils: There are two types of scenting oils, FO's (fragrance oils) and EO's (essential oils). An EO is made from distilling the oil out of the plant it comes from. A fragrance oil is a man-made chemical that's steeped in alcohol. EO's are usually used in soap making as FO's have been known to seize soap, or turn it into a yucky ball that doesn't saponify correctly. EO's are much more expensive and harder to find than FO's but also have better scent retention. If it is an EO, it will most often say so on the label. You will also know it by the exorbitant cost. FOs can often be used safely at trace however. Make a small test batch first to see if your FO is going to work before making a big batch. Be aware that rose and cucumber FOs are notorious for seizing soap. If you want to use an FO that can possibly seize soap, you can safely use it during a rebatch. Certain fragrance oils and essential oils change the saponification characteristics of a mix. Jasmine absolute from real flowers is damaged by strong alkali. It is a natural fragrance and not a fragrance oil.

The Setting Tray: Mrs. Mertz used a galvanized tub. Other old timers used a wooden box in the shape of a tray with a cloth laid in the bottom of it. The cloth was used to help remove the hardened soap from the tray. If you are going to use a solid tray, may I recommend plastic wrap instead of cloth as a barrier between your soap and the tray. But there is something even simpler than this. If you have any square edged, flexible plastic trays with lips at least as high as a bar of soap is thick, use this instead. After the soap has hardened, a slight flexing of the tray will dislodge the soap. When the soap begins to harden (1 hour to 3 days depending on how fast the curing process is moving along), section it into bars. When cutting, the soap should still be soft enough to easily run a table knife through it but hard enough that the soap doesn't run back together again. After it has further hardened (3-7 days), remove it from the tray, and break it into bars following the knife marks made earlier. Even though your soap looks hard at this stage, it is far from done. There's a good chance it contains a bit of lye that should dissipate into the soap as the saponification process continues. This will be true as long as you had your lye/fat ratio correct in the first place. Your soap will need to sit for 2-6 weeks to dry out and cure, depending on the fat you used. Use litmus paper to test the lye content of your finished soap. Be sure to wash off any soda ash that has formed before testing. Soda ash has a high pH value. Your soap should be below a pH of 10 within 36-72 hours after it has traced. The closer the pH of the finished soap is to 7 the better but don't expect normally made soap to reach this. If your soap is over a pH of 10, let it sit around for a week or two. Hopefully as the soap continues to saponify the lye will get transformed and the pH will drop. Your soap should be below a pH of 10 before you use it. Below a pH of 9 would be better. There are a few seasoned soap makers that test the pH by tasting the soap. Your tongue will tingle if there is still too much lye in it. Of course, you don't want to swallow this stuff. This was suggested to me as a possibility by Mrs. Mertz and also by other contemporary soap makers who sell soap.

Final Curing and Storage: With the soap out of the tray or molds, stack it up and set it in a warm dry place for at least two weeks. When it has fully cured, place it in a plastic bag or air tight container, and store it in a cool, dry place. You might notice a thin, white powdery layer on the outside of your soap. This is soda ash, and forms as a result of the carbon dioxide in the air interacting with the lye in the soap. This outer layer quickly washes off the first time you use it. If this is a concern, cover your setting soap with plastic wrap so the air can't get to it. After saponification nears completion, you can remove the air barrier to let your soap dry out. After all this, if there is still a thin layer of soda ash on your soap after it has cured, wash it off, then let the surface of your soap dry before storage.

--------------------------------------...

Final Soap Making Tips:

My experience: The recipes I used left a lot to be desired. The instructions weren't sufficiently detailed for me to really figure it all out and so I made several mistakes which I will now point out.

The first thing I had trouble with was getting the lye/water/fat ratio correct. Often the recipe simply said ‘a can of lye.’ Obviously, in yesteryear all lye cans must have been the same size. Not so any more. From analyzing several recipes both relatively modern and old, I find the lye to fat ratio in many recipes to be lye heavy. I suggest you figure the lye yourself using the fat to lye table before using a recipe. Then alter it accordingly when making your soap. Let’s not forget the 0.38 parts of water to one part fat by weight. (Water, lye and fat are the primary ingredients for all soap recipes I've found, and will make a good bar of soap all by themselves.) Depending on what you want to use the soap for, you may wish to deviate from the lye-fat table. Make laundry soap intentionally lye heavy and delicate facial soaps intentionally a bit fat heavy. Mix it:

Double the SAP table's figures for lye for really tuff cleaning jobs, like laundry soap.

Use the 5% fat column for regular hand soap.

Use the 9% or 10% column for delicate facial cleaner

Note: The more lye in the soap, the harder bar it makes. (One of my friends told me how before the days of the automatic washing machine, his mother always threw a bar of home made soap into the wash during her ‘manual wash cycle’ then pulled it out before the ‘rinse.’ The same bar of soap lasted several batches!)

The second thing I had trouble with was adding the different ingredients at the right times. rinse created some real messes with this one. Here is a suggested order to add things: Start out with...

Water

Sugar can be used in soap recipes for making clear soap. It won't dissolve if you try to add it after the lye or fats have been mixed in. Don't add sugar if you plan on cooking your soap.

Salt: It may be of interest to know that the commercial soap makers use salt to separate out the glycerin which is a natural byproduct of soap making. Then they sell it as a byproduct even though by removing it, they reduce the quality of their soap. Commercial soap makers use salt to curdle a batch of soap. Salt is sometimes used to clean fat during the rendering process and can be used to help solidify soap when making it from ashes. Under normal circumstances you probably won't add salt.

Ammonia is an emulsifying agent that helps a mixed batch of impure oils to get together closely enough to saponify readily. As the soap cures the ammonia evaporates, leaving your bar ammonia free.

Borax is an emulsifying agent that helps a mixed batch of impure oils to get together closely enough to saponify readily. When the soap is used the borax acts as a water softener.

Lye

Mix all your fats together before adding your lye water to them.

Fat or Oil

Lanolin (Lanolin comes from sheep's wool. It's oil based and mixes with the other fats very nicely. Adding Lanolin as a superfatting oil at trace is also a option. Lanolin is a mix of cholesterol, other heavy alcohols and fatty acids. It's good for the skin and has a low sap value. Lanolin does require a little lye.

Coal Oil

Lemon Juice

After Trace: All the following items are optional:

Ground Oatmeal (abrasive element)

Vitamin E This is an antioxidant, and acts as an anti-rancidity agent. Poke a hole in one end of the pill with a pin and squeeze it out into your batch.

Coloring Dyes

Superfatting Oil

Scenting oils: To prevent the lye from eating up your perfume, you need to add this as late as possible in the saponification process - the last thing before you put it in the mold.

The third thing I had trouble with was getting it to trace correctly.

           Trying different things, I happened on a couple of different ways of getting soap to trace. Three methods of getting soap to trace have already been discussed. When I first started making soap I didn't know the first thing about "trace." Because of this, I had several failed batches until I developed a unorthodox way of setting soap that incidently is a lot faster than waiting for it to trace by stirring only. The following method will only work with fats that are solid at room temperature, like tallow, lard, and shortening. You can't color or scent your soap if you do it this way as you should only add these things after tracing. Professional soap makers are leery of this method as they feel it is important to stir the batch to trace as it keeps the molecules moving. Yet I add this last method here as I've had excellent luck with it.

            The Intentional False Trace: After all the ingredients are thoroughly mixed, set your mixing container in cold water and continue to stir, especially the sides and bottom. I use a big spatula to do this as the fat will solidify first on the sides and bottom of the pan. This solidifying fat/lye mixture must be remixed into the warmer mass in the center of the pot. As the mixture cools, continue to quickly stir it while the whole batch thickens. When it gets to the consistency of thick gravy or pudding, (trace consistency) pour it into your setting tray. The idea here is to get it so thick there is no way it can separate, yet fluid enough so it will flow. With it in the setting tray, put it in the refrigerator so the fat in the soap can continue to solidify. After it is cold, take it out of the refrigerator and set it aside. Unless you make the soap during very hot weather, it stirring re-melt and separate. Anywhere from an hour to a day, depending on how fast it is setting up, the soap should be ready to cut into bar sized pieces. Note: Don't get confused here. If you actually traced your soap, you shouldn't put it in the refrigerator. The refrigerator is only used when you thickened your soap in cold water before tracing had a chance to happen.

Final curing: As mentioned before, it takes soap days for the saponification process to complete, then weeks before it has cured with all the water evaporating. My experience is that it takes about 1 to 3 days for the soap to set up hard enough to cut the soap into hand soap sized bars without it melting back together again. Check it once or twice a day. You don't want it so hard you can't run a table knife through it. After sectioning the soap in the setting tray, leave it in the pan to further harden 3 - 5 days. You want it to be hard enough so it will maintain its shape and not break up as you are taking it out of the tray. You can't hurt it by leaving it too long, but if you take it out too soon you can accidentally break pieces off or put big cracks in the bars that will later break. When it has cured long enough, remove the now solid soap and break it up into bars from the knife marks made earlier. If you used a solid pan lined with plastic wrap, after the soap is removed, use your finger to smooth out the small grooves made by the wrinkles in the plastic wrap. (If you wait, it will be too hard and you can't be able to do this.) It is then stacked up and left to further dry (cure) for two or more weeks.

Using It: Even mentioning this may seem like over kill. When I first used that initial bar of lye heavy soap from my first ever attempt at soap making, I rubbed and rubbed, and didn't get much off it. But I soon learned that I was just breaking it in. After I used it a few times, it was much easier to use. If you have kids, to decrease their resistance to using soap ‘you’ made, break it in first then put it out for them to use.

Floating soap: Ivan Stern discovered the easy way to make your soap float. Just add a tablespoon of sodium bicarbonate (NaHCO3) or so to your soap mixture after you've added almost all of the alkali. The bicarbonate reacts with the fatty acids to release CO2 into the mixture. Be aware this adds a very small amount of caustic material to your batch.

Also ...

SOAP DISH: HOMEMADE SOAP BROUGHT UP TO DATE

By Niki Hayden

Just as bread bakers yearn for the impeccable crust and wine sommeliers search for the right bouquet, soap makers attempt the perfect bar. Gentle or astringent, perfumed or unscented, soap is an ancient craft.

If making soap is a reminder of pioneer women stirring giant vats of lard and wood ashes, you’ve studied history. Soap making has a messy past based on a chemical reaction that appeared magical. Fat combines with lye (wood ashes contain a simple lye) resulting in saponification. The substance no longer is fat or lye, but a new product capable of cleaning dirt from skin and clothes.

Saponification remains the basic chemistry. But modern soap makers experiment with exotics like avocado or walnut oils. Although tallow and lard are available, the mixture of vegetable oils like olive, palm or coconut has become a favorite.

Homemade soap is nothing like the chalky bars of pioneer days. It may look like stained glass or be studded with oatmeal. Modern soap makers have turned soap into a hobby that produces the finest, silkiest bars. Perfumed with essential oils such as lavender, clary sage, citrus or rose, home soaps look, and feel, luxurious.

In commercial soap, one of the by-products, glycerin, is siphoned and sold to cosmetic companies. That simple emollient will remain in your home made soap. You can design a creamy soap for dry skin, tingly for oily. Have a skin allergy? You can decide exactly what goes into soap.

TAKE PRECAUTIONS

Soap contains lye. With that comes a caution: lye will burn your skin and blind you if it splashes in your eyes. Vinegar is an antidote, but it cannot undo the damage of spilled lye. In soap making, few accidents happen because soap makers are cautioned extensively to wear goggles, long sleeves, long pants and rubber gloves. Never use lye around children or pets. Once this basic lesson is taught, the rest of soap is easy.

Unlike bread, where you can dabble with the basic ingredients, soap isn’t cooking. It’s a complicated chemical reaction. You measure just the right amount of lye and water. Those are mixed outside or in a well-ventilated room then added to oils and stirred until a trace is formed. A trace is when the mixture has thickened. When a little is dribbled over the surface, the dribble line sits on the surface without sinking into it. An essential oil is stirred into the mixture. The mixture is poured into trays, wrapped in a blanket for warmth and allowed to sit for about 24 hours. Saponification continues for several days and the soap will feel warm to the touch. The soap is not suitable for use until at least a week later and possibly longer. It will cure and harden in a few weeks.

GETTING STARTED

If you’d like to begin making soap, find a good book, like "The Soapmaker’s Companion" by Susan Miller Cavitch. It’s by Storey Books. Or, get in touch with the Denver Botanic Gardens. They offer a number of soap making classes. Call 303-370-8019 or 303-370-8020 for information or visit the website: www.botanicgardens.org

The advantage to taking a class is that you’ll have all the equipment right there to try a first time experience. Most soap makers keep their soap equipment separate from their cooking equipment to avoid mixing chemicals with food.

And, soap making instructors usually offer a variety of essential oils to choose from, so you have the opportunity to try out what you might like. If you love aromatherapy, you’ll want to experiment and create your own scent. (See our interview with Mindy Green on aromatherapy).

Instructors will watch you closely to see that you’re taking safety precautions—the most important lesson. And if your soap doesn’t quite look right, they can usually tell you why.

Soap isn’t difficult to make, but everyone will have at least one batch that doesn’t turn out. If the bars are streaked with chalky lines, then either too much lye was added or the ingredients were not mixed long enough to create a trace. This is a common beginner’s mistake. When the oils and lye are mixed, the liquid changes consistency before your eyes. It thickens, turns whiter, almost like a cream. But it’s not truly mixed enough until a clear tracing line is formed. A rule of thumb is to dribble a circle or star on the surface. If the outline floats clearly on the surface and forms a pattern, you’ve got a trace. Then you can add the essential oils, stir vigorously and pour into molds.

Here’s another beginner’s mistake. The ingredients must be measured exactly. That means that using a chemist’s scale is far more accurate than a simple kitchen scale. Measurements are usually in grams, again for accuracy. Longtime soap makers know that investing in a high quality scale will make the difference between many lost batches and a successful batch each time.

The lye you choose must be pure—Red Devil is available at most stores. Don’t use products like Drano that have lye as one of several ingredients. And water should be distilled, again so that there are no natural chemicals that will alter the saponification.

To make soap, you’ll need a non-aluminum pan, something like an enamel or stainless steel pot, plastic spoons, and thermometers (to check the temperature of the oils and the lye). An electric mixer is the easiest way to mix well. A series of plastic food containers will serve as molds. Leftover plastic yogurt cups make round soap if they are filled half way. Molds must be plastic, or a wooden tray lined in plastic wrap. Lined with freezer paper, the hardened soap will be easy to life out. Peel away from the paper and cut into bars. About 24 hours after the soap starts to harden, it has the consistency of half frozen butter and will be easy to cut.

A SIMPLE RECIPE

Most soap recipes make about 15 bars of soap. But to start out, think small. Here’s a recipe for one bar of soap:

17.9 grams of lye (.5 ounces)

45.4 grams of distilled water (1.5 ounces)

42.2 grams of olive oil (1.4 ounces)

36.2 grams of coconut oil (1.2 ounces)

42.2 grams palm oil (1.4 ounces)

¼ teaspoon of essential oil

Both coconut and palm oil are usually ordered from soap making or chemical firms. In a pinch, you may substitute Crisco shortening. Again, the advantage to taking a course is that you will have all the appropriate ingredients for your first bar of soap.

Measure the distilled water. Measure the lye. Take both outside to a safe place and pour the lye into the water. Never pour water into lye; it’s highly dangerous. Next, it will heat up—to 175 degrees. Leave it alone to cool in a place where it will not be touched by anyone or, if safer, place in a sink.

Measure the oils and pour them into an enamel pan. Warm the oils to 90 degrees. Wait until the lye cools to 90 degrees. Pour the lye slowly into the oils and begin stirring. Here’s where a mixer becomes handy. But for this one bar, mixing by hand will be fine. Mix until a trace is formed. Add your essential oil and stir well. Pour into a mold, like a yogurt cup. Insulate with an old blanket for 24 hours. Then you may remove the bar and allow it to cure for two weeks.

GIVING GIFTS

If you’d like to give your soap as a gift, here are a few ideas. Cut thin strips of wrapping paper; wrap around each bar and tape the back. Or, use raffia and thin satin ribbon as a tie around each bar. In our photo, dried pansies, violas and violets are pressed into the soft soap. Press flowers such as pansies or violets between the leaves of a thick book until they are dried and flat. Dampen a side on the soap and the dried flower will stick.

Helpful web sites:  

www.millersoap.com

www.rainbowmeadow.com