It has been some decades since Western culture could be accurately described as Industrial. Since the under-consumption crisis of the Thirties, we have shifted entirely into a social structure dominated not by production but by reproduction, not by equivalence but by commutation, not by merchandise but by the model. We live in a post-industrial world. A world no longer where all labor is exchanged and loses its singularity but where labor and leisure become entwined. Not a culture bought and sold but one where all cultures simulate one another. Not a place where love is prostituted but where a liberated keel sexuality is compulsory. And an era in which time is no longer accumulated like money but is broken in a confused web of nostalgia,
fetishism and futurism.
SPK has always been certain to establish its separation from any label like "industrial" because it has always pursued a strategy radically more efficient - the successor to industrial society.
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