The real time of existentialism?

Question

A definition of real-existentialism is "a continuum where an event happens the other from the past to the future of Our History alternating the Pre-History (repeated every 24 thousand years)."

Absorba and focus on this time, because it is what is the possibility of change without charges of being vulnerable to criticism from our own conscience.

This self-knowledge is not intended to eliminate all the problems of our life, but that encourages the resolution of conflicts are natural mild.

Can you leave the untruths they say there to fall into the natural reality of the time (I believe that yes).

Answer 1

A mind is a terrible thing to waste.

Answer 2

I don't get it. This explanation looks like an esoteric code.

Here's what existentialism is:

http://en.wikipedia.org/wiki/Existential...

So, all this cryptic stuff seems rather out of context.

Answer 3

OMG.  This looks like something that "Communications from Elsewhere" site provides.  A meaningless essay of doublespeak produced for you by a computer program.  For example:

The Context of Fatal flaw: Dialectic narrative in the works of Madonna

Z. Jean-Michel Reicher

Department of Semiotics, University of California, Berkeley

1. Submaterial deconstruction and Sontagist camp

In the works of Madonna, a predominant concept is the concept of neocapitalist reality. Baudrillard promotes the use of Sontagist camp to attack truth. Therefore, Lyotard uses the term ‘patriarchialist postcapitalist theory’ to denote the role of the artist as poet.

The subject is interpolated into a that includes reality as a totality. However, the characteristic theme of the works of Madonna is not deappropriation as such, but neodeappropriation.

Hubbard[1] states that we have to choose between Sontagist camp and subcapitalist theory. In a sense, the premise of dialectic narrative suggests that art serves to exploit the underprivileged, but only if language is equal to consciousness; if that is not the case, Debord’s model of Sontagist camp is one of “textual postcultural theory”, and hence unattainable.

In Material Girl, Madonna examines materialist patriarchialism; in s*x she reiterates Sontagist camp. It could be said that the main theme of Dahmus’s[2] essay on dialectic narrative is a self-sufficient whole.

I find this site hilarious.  I will print off these bogus articles and present them to people I know and ask for their opinion.  Its so funny seeing people trying to make sense of this rubbish.  

Answer 4

UH OH- LOOKS LIKE SOMEONE TOOK SARTRE 101 IN SOME UNDERGRAD COURSE AT COMMUNITY COLLEGE.