When are the next auditions for Phantom of the Opera in New York?

Question

Are there auditions presently this weekend in New York City for Phantom of the Opera? Can you give me details.

Answer 1

The Phantom of the Opera – Equity Principal Auditions  

Category  Performer  

Description  The Phantom of the Opera – Equity Principal Auditions

Broadway/National Tour, Equity Production Contract, $1,509/week minimum

Producers: Cameron Mackintosh and The Really Useful Company

Music: Andrew Lloyd Webber

Lyrics: Charles Hart

Book: Richard Stilgoe and Andrew Lloyd Webber

Director: Harold Prince

Choreographer: Gillian Lynne

Production Supervisor: Peter Von Mayrhauser

Production Musical Supervisor: Kristen Blodgette and David Caddick

Production Dance Supervisor: Denny Berry

General Manager: Alan Wasser Associates

Casting: Tara Rubin Casting

Seeking future replacements for the Broadway and National Touring Company.

Women should be sopranos (lyric or coloratura), mezzo sopranos, or contraltos, with strong legit musical theatre or opera voices.

Men should be strong legit musical theatre or opera tenors, baritones, or basses. Two of the basses in the chorus must sing to low F.

Please note: Opera singers and minorities are encouraged to attend.

Christine Daae:

20s, beautiful young singer. Soprano voice that combines elements of classical and pop singing. A light, floaty soprano. She sings briefly to high E.

The Phantom:

30s – 40s, high baritone or tenor (with a good low range) from low A flat to high A flat. Needs a dynamic, bravura, “star” performance, both frightening and irresistible.

Raoul, Vicomte De Chagny:

Late 20s – early 30s, dashing, handsome young aristocrat. High baritone (2 octave range from A flat to A flat).

Firman & Andre:

Late 30s – 50ish, the managers of the Paris Opera House. Trying to be elegant, they are slightly befuddle and bumbling. Need good instincts for stylish comedy. Good supporting roles. Baritones; one sings to A, one to G.

Carlotta Giudicelli:

30s – EARLY 40s, the prima donna of The Paris Opera. A diva in every sense of the word. Coloratura soprano, to high E. Requires opera training.

Madame Giry:

Late 30s – early 50s, the Opera’s ballet mistress. An ominous, stern, forbidding figure. Mezzo soprano to high B flat.

Meg Giry:

Late teens – early 20s, a member of the Corps de Ballet. Must dance on pointe and sing mezzo soprano to G.

Ubaldo Piangi:

Late 30s – 50s, the opera’s leading tenor, Italian style singer, sings to high C. Requires opera training.

  

Job Start Date    

Job End Date    

Union Information    

Salary    

      

Company  Tara Rubin Casting  

Address  New York, NY 10036

US



Contact  -



Respond Method(s)  At Audition



Audition Information  When: Tuesday, July 8, 2008

9:30 AM — 5:30 PM

Lunch from 1 - 2

Where: Actors' Equity Audition Center

165 West 46th Street, 2nd Floor

NYC. Studio C

Notes/What to bring: Be prepared to sing a song from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided.

Please bring a current picture and resume, stapled together

hope that helps you